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Pages 1-11
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Pages 13-25
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Pages 27-46
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Pages 47-64
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Pages 65-76
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Intertextual Qur'anic style, words and music book "Ayam" Taha Hussein
Pages 65-76
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Abstract Contemporary Egyptian writer Taha Hussein, the revival of old Arabic prose and linking it with contemporary Arabic literature has played a prominent role. His extensive knowledge of ancient heritage and especially the preservation of the Holy Quran by his childhood, he has had a significant role in shaping the literary style.This paper describes a method - analytical, intertextual Qur'anic style, composition, vocabulary and music book "Ayam" He has analyzed. The results of this study show that the Quran with all its varied forms of expression on his literary style pervades. She influenced the style and format of the Quran, is widespread use of hybrid structures Quran, Quranic expressions combining multiple methods, employing terminology and influence of musical intervals verses at the end of sentences, including theirs. His art is a mind full of memories of his Quranic, new ways impossible Streamlined and contemporary Arabic prose writing is created. She was certain syntactic structures - a language revival among contemporary writers of Arabic, which was generally forgotten
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Pages 77-91
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Abstract
Koranic Intertextuality in the Poetry of Mohammad Vali Dasht Bayazi
Pages 105-124
Dr. Ali Asghar Habibi, Amir Baharloo, Mahdi JavanBakht
Abstract Koran Karim as the main religion book of Moslems in 14 century has been having effects in the different dimension of social, cultural, artistic, literary life of Moslems. Mean while this holy book with semantic and riches depth beside ode unique characteristic of artistic and eloquence, it declare the most valuable inspiring religion source among Moslems poem's poets and their literary productions. One of the unknown character "Molana Mohammad Vali Dasht Bayazi" is as a shite in the tenth Hejry century that he engaged to testing the talent in poem region .one of the main of his poem's Source is Koran karim that it's different impress appear in his poem and phrases and Koran semantic contend as the main artistic capital of him. This inquiry want to show the state of impression of this poet form semantics ,meanings and pictures of Koran Karim and limit and boundaries of that in his invisible and visible layer, dissolution of basic Themes of Dashte Bayazi poet and with reliance to kinds of intertexuality
The Effect of the Koran on the Poems of Safi-oddin-e- Helli
Pages 125-138
Ali Khezria
Abstract Koran is the manifestation of the divine might and is the greatest divine miracle for all men. This leading book of the highest rhetorical power has always inspired the poets. They have enjoyed its unique expressions in their works. Due to tendencies toward Sufism and the poets’ interest in virtue, this kind of inspiration appeared in the literature of enhetat (collapse) period. Safi-oddin-e - Helli, one of the greatest poets of this period, had a great knowledge on the Koranic literature and was a Shia who grew in one of the literary Iraq cities, Helleh. His poems illustrate the influence of this holy book. This article is an intertextual study, using a descriptive-analytic approach to investigate the effects of the Koranic verses on Helli's poetry. The influence of Koranic verses is clearer and bolder in the motifs like prophetic panegyrics. He quotes and personalizes Koranic verses extensively.
"Manifestation of the Quran and Hadith Poems of Gholam Reza Khan Arkavazi"
Pages 139-150
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Abstract Influence of Quran and Hadith is remarkable in poem of kurd poets. As the poem of these poets is full of inspiration of the Quran, the sacred and prophetic hadiths, and also a deep mystical concepts. Poems of Gholam Reza Khan Arkavazi one of the well-known kurd poets in the thirteenth century AH - replete with Quranic concepts, love inmate and also the profound mystical themes. As the poems of this poet could be and important source in sectarian researches and mystical, so in this research we will try to explain briefly about the poet and his poetic language, then we will show the influence of Quran and Hadith in some parts of his poems.
Emanation of the Word of Revelation in Nasimi Shirvani Poetry
Pages 151-162
Tayebeh Fadavi, Masoud Bavanpouri, Narges Lorestani
Abstract The Holy Quran is the source of knowledge, wisdom and program of prosperous life for human, and everyone takes something of it according to his/her capabilities. Poets as well have used this eternal source according to make their poems more more acceptable. Entry of the Holy Quran into Persian language caused its richness and extending of its poetic themes and making the style of Persian poetry simple. Nasimi Shirvani, poet of Timurid period, due to familiarity with the Holy Quran - undoubtedly has been affected by the text of Quran in his words. Within his poetry he sometimes has used the very same Quran verses and sometimes some parts of them are included in his poetry. In another parts of his poems, Nasimi has pointed Quranic and religious themes such as the resurrection, unity and the decline of world. Refering to prophets(PBUT), that their stories have been told are another part of Nassimi poetry. Authors of the present study are going to examine the effects of the holy Quran’s expressions, characters and stories on him and his ability and intelligence to use the holy Quran, by the use of descriptive-analytical method.
The Analysis of Koranic Verses and Ahadith (quatations) in the Poetry of Constitutionism (Malek- o-shoara Bahar, Nasim Shomal and Mirzadeh Eshghi)
Pages 163-178
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Abstract Persian literature was the first and foremost place for the depiction of physical and spiritual achievements of Iranian society during the Islamic era.The religious culture as one of the spiritual achievements makes up the most principal themes and poetic emotions of classical poetry. The classical Farsi poetry, while taking advantage of different semantic backgrounds, is mostly affected by the religious culture since the religious culture as one of the most important sub-cultures which makes up the general Culture of Iranian Society after the advent of Islam, like the other components of the Iranian culture, incorporated a substantial part of themes and emotions of Farsi poetry. The Present article is an attempt to introduce very beriefly the social culture of Iran before and after Constitutionism which led to cultural patterns of the secular society.It also through charts, tables and statistic tries to represent Bahar, Nasim Shomal and Mirzadeh Eshghi's allusion to verses and Ahadith (quatations) during their poetic careers. Moreover, in order to explain the aesthetic aspects of certain poems used in this study whose poets were affected by Koranic verses and prophet's Ahadith (quatations), there are some classifications and analyses in such domains as topic, genre and the way these verses and Ahadith (quatations) Were presented.
